A singer felt a sore throat coming on, his
manager explained. He needed a shot of cortisone. I’ve given many; singers seem
to think they work, and they’re harmless.
These are good calls. I drive to a hotel, give an
injection, collect money, and return home. What’s not to like?
The manager added that the singer would need his
shot the day of his performance the following Saturday. Early Saturday he
phoned to inform me that the singer was free at midday. He would call to give
an hour’s notice. Midday passed without a call.
As
I prepared for dinner at six p.m. the manager phoned to announce that his
client was ready. But there was a hitch. The singer was not in Los Angeles but
at a resort hotel in La Puente thirty-five miles away. Although weekend
freeways are usually fast, this trip took an hour. The resort was hosting an
event called The Urban Music Festival; it was packed with black people, the
women in dazzling gowns, the men dressed as gangsters.
No
one answered when I knocked on the singer’s door. I phoned the singer’s manager
and heard voicemail. I paced the hall for fifteen minutes, knocking and phoning
now and then. I checked with the concierge who obligingly offered to call the
room.
My
phone rang as I was driving off. I retraced my steps to the room, now packed
with the singer’s colorful entourage. I gave the shot, collected my money, and
returned home to supper.