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Showing posts with label film set. Show all posts
Showing posts with label film set. Show all posts

Friday, October 16, 2020

Another Incident in a Hotel Doctor's Glamorous Life

Younger, cooler, more expensive doctors own the franchise on Los Angeles film shoots, but I go now and then.

A European director staying at the Langham in Pasadena asked for my services and then went off to work.

After driving miles through suburbs I encountered the usual cluster of trailers, street barriers, and police. It was a hot summer day in Los Angeles, but Pasadena is always ten degrees hotter.

Workers hurried about, but I was the only one wearing a suit, so I stood only a few minutes baking in the sun before an assistant approached. Like every aide I’ve met on film sets, she was young and beautiful. I hate to imagine the hiring procedures of production companies. 

She led me into a trailer, thankfully air-conditioned, where I waited fifteen minutes until the director made time. He showed me a rash and worried about bed bugs.

Many foreigners believe Americans fall below civilized standards of cleanliness. We think of personal hygiene in terms of body odor, but they notice that we allow dogs free run of our houses, and we don’t take off our shoes when we come inside. That the Langham is very expensive does not rule out bedbugs, but I diagnosed hives, an allergic reaction.

I’m not sure my reassurance convinced him, but he was a workaholic like so many of my patients. He hurried back to the set with the box of pills I handed out, and I considered it likely that he put it out of his mind.

Friday, December 13, 2019

Another Glamorous Film Shoot


 “We’re at 501 West Olympic,” explained my caller. “Come up to the seventeenth floor.”

That’s downtown, my least favorite neighborhood for street parking. I might find a spot within three or four blocks, but it was summer, and I wear a suit. No problem, said the caller, and directed me to crew parking a mile away.

I pulled into a lot jammed with mobile dressing rooms, equipment, cars, and a line of vans. An attractive young woman directed me to the leading van which chauffeured me through downtown traffic and pulled into another line of vans to let me off. After phoning a contact number, I waited for another young attractive woman (all assistants at film shoots are attractive young women) to conduct me to an elevator which let me out into a crowded corridor.

It takes a small army to shoot a film. Dozens of people under thirty rushed about. They were probably crew. Lounging about and getting in the way, another dozen, mostly over thirty, were probably actors. A person in charge noticed that I looked like a doctor and summoned the patient.

It was fortunate he wasn’t suffering hemorrhoids or jock itch because there was no privacy. We huddled in a corner and discussed his eye irritation. Afterward, the person in charge asked if I’d see someone who’d injured his neck in a fight scene. Leaving the building, I boarded the first of the line of vans and returned to the parking lot. 

Saturday, December 30, 2017

A Creepy Frat Guy


The Andaz Hyatt had given my number, explained the caller. Could I see a member of their cast who was suffering an earache? Unfortunately, he was on location and wouldn’t return until evening.

She was delighted at my suggestion that I come to the film shoot, and I’m as eager as anyone to mingle with movie people. On the downside, I live six miles from the Hyatt; the film was shooting at the far end of the San Fernando Valley, twenty-five miles away, and I’d quoted my fee before learning this. 

The producers had taken over a run-down motel, painted it pink, and restored the coffee shop to its mid-twentieth century interior. I drove past warning “closed to the public” signs and parked among the cabins and scattered 1950s cars.

Several dozen people stood around, none over forty. You should realize that shooting a movie is boring. Filming takes up perhaps two percent of the day. The remainder involves setting up, technical changes, errands, and waiting around. Everyone looks forward to lunch. I attracted attention, being far older and much better dressed.

Earaches are easy. I followed a young man into the empty 1950s diner, made the diagnosis, handed over medicine, and took my leave.

As usual, one aspect of the experience seemed strange. The assistant who had phoned and greeted me on my arrival was a young, attractive woman. Other attractive women were carrying messages, answering phones, setting up the lunch buffet. Almost every actress in costume was beautiful; there were no exceptions for those in street clothes.

Somewhere in Los Angeles there is a creepy frat guy who handles hiring for film sets.